Stockholm-based post-punk trio Then Comes Silence makes a brazen return with their new single ‘Judgement Day’, a dark and driving anthem that embraces failure, reckless choices, and the thrill of living without regrets. Along with a high-energy video by Damon Zurawski, this song celebrates those who burn brightly on borrowed time as doomsday looms. This is the first single from their ‘Requiem Ballroom’ album, to be released via Metropolis Records.
Formed in 2012 by vocalist-bassist Alex Svenson, Then Comes Silence has operated as a tightly focused trio since 2022, along with drummer Jonas Fransson and guitarist Hugo Zombie. Together, they have refined Then Comes Silence into its most direct, powerful and uncompromising form.
‘Judgement Days’ opens with a catchy Euro techno melody, contrasting with the band’s roots and signature sound. A brooding yet danceable collision of post-punk intensity and unexpected Euro-techno flourishes, it paints a portrait of sinners embracing their final celebration before the inevitable reckoning.
“‘Judgement Day’ was the first song I wrote for this album – an homage to our musical heroes Killing Joke. Hugo came up with the guitar sound early in the process. This song celebrates the wicked ones having a good run til their end days. In some people’s eyes, we too are rock ‘n’ rolling, beer drinking geezers that most likely will be the first to go. So be it. We had a good run,” says Alex Svenson.
Hugo Zombie adds, “The guitar is inspired by Killing Joke and is a little tribute to Geordie. We haven’t played it live, but we will perform it for the first time at M’era Luna Festival in August. It should go well.”
‘Judgement Day’ is about failure, bad decisions, and poor behavior – a nod to those who will be first in line on doomsday. The techno element is juxtapositional given the subject matter. Ultimately, the band “fails” by letting something completely unexpected and out-of-character takeover. A swaggering gothic rocker that turns self-destruction and the ticking of time into an irresistible celebration of the wicked,
“We gave a performance in the photo studio when shooting the music video. It was like a regular concert with the extras dancing around the band. People seemed to enjoy being involved in the making of this video – it’s easy to dance to and has a good dynamic,” says Alex Svenson.
Jonas Fransson shares, “We invited a bunch of friends to join us for the music video shoot, and one of them happens to be a 16-year-old Miniature Pinscher. He is almost completely deaf, so he didn’t mind walking around the studio while we were playing. The video isn’t cut and finished yet, but there’s a good chance he’ll end up in it.”
‘Requiem Ballroom’ is divided into two parts, the ‘Ballroom’ mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy) and the ‘Requiem’ half mixed by Tom van Heesch (Rammstein, Apocalyptica, Backyard Babies). This album was then mastered by Svante Forsbäck / Chartmakers (Rammstein, Amaranthe, Ville Valo, The Rasmus, Apocalyptica).
Then Comes Silence has become one of the leading names on today’s goth, post-punk and darkwave scene. Driven by a fascination with horror, the occult and the raw intensity of underground music, the band has forged a distinctive sound that has earned them a devoted international following.
With the German post-punk scene their second home, they have, for years, toured relentlessly. Continually expanding their geographic reach, they have cemented their reputation as one of the scene’s hardest working bands. With several releases through Metropolis Records, they have further strengthening their international presence. Their impending eighth album follows ‘Trickery’ (2024) and ‘Hunger’ (2022), jointly released by Metropolis and Nexilis Records / Schubert Music.
With dark atmospheres, driving rhythms, razor-sharp hooks and explosive performances, Then Comes Silence continue to push forward. They have earned their place at the forefront of the modern gothic rock and post-punk movement, proving themselves to be a vital contemporary live acts with frequent touring across North America, Latin America and Europe.
Then Comes Silence have shared the stage with acts such as The Fields of the Nephilim, Clan of Xymox, The Chameleons, A Place To Bury Strangers, Pink Turns Blue and The Bellwether Syndicate, while appearing at many of Europe’s premier alternative festivals, including M’era Luna, Wave-Gotik-Treffen, Amphi Festival, Castle Party, Tomorrow’s Ghosts Festival and W-Festival.
As of August 7, ‘Judgement Day’ is available digitally everywhere, including Apple Music, Spotify and Bandcamp, where the latest ‘Trickery’ album is also available on vinyl and CD. Tickets for Then Comes Silence performances can be obtained at https://thencomessilence.eu
ALBUM CREDITS
Lyrics & Music written by Alex Svenson
Alex Svenson – vocals, bass and synthezisers
Jonas Fransson – drums
Hugo Zombie – guitars
Johan Lange (Agent Side Grinder) – synthesizer on Track 12
Produced by Alex Svenson
Recorded by Jörgen Wall and Tom van Heesch
‘Ballroom’ half mixed by Jon Bordon (Nicole Sabouné, Melody Club, The Exploding Boy)
‘Requiem’ half mixed by Tom van Heesch (Rammstein, Backyard Babies, Apocalyptica)
Mastered by Svante Forsbäck
Cover artwork by D.K. Griftegaard & Jonas Fransson
Released by Metropolis Records
Video by Damon Zurawski
Publicity by Shameless Promotion PR
LIVE DATES
AUG. 9 – Hildesheim, Germany @ M’era Luna Festival
AUG. 20–22 – Torgau, Germany @ Stella Nomine 2026
SEP. 11 – Glain, Belgium @ Deux Ours
SEP. 12 – Rotterdam-Albrandswaard, Netherlands @ Baroeg Open Air 2026
SEP. 13 – Rennes, France @ Brewklyn
SEP. 14 – Paris, France @ Le Chinois
SEP. 15 – Rezé, France @ Cold Crash
SEP. 16 – Lyon, France @ Rock N’Eat
SEP. 17 – Marseille, France @ Le Molotov
SEP. 18 – Torino, Italy @ Ziggy Club
SEP. 19 – Castelfranco Veneto, Italy @ Sale Improve
SEP. 20 – Hlavní Město Praha, Czechia @ Subzero
OCT. 24 – Stockholm, Sweden @ Kollektivet Livet